Tome FALL 2014 READY-TO-WEAR- ”Good things happen to those who wait”-Fashion Repost.

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(i felt like re posting it. All ‘why’s and ”but’s’ are also my issue.Thanks,)

Leaving away  the fact that it was actual a runway debut for Thome,we can focus on the clothes per se. And as the presentation went by, i had the feeling that Tome designers, Ryan Lobo and Ramon Martin did possessed this much-sought ability of creating great clothes in a unbiased sense that appeals so much both to celebrities and working women. .Martin and Lobo’s muse, the artist Shirin Neshat was seated front row and its indeed a very complex and interesting Israeli woman to dram inspiration from.Modern meets tradition,Balenciaga meets arabic tunics and so on.

The designers working while keeping a low profile have managed something that Raf Simons would have loved to  the know-how of all this creative mix of tradition ended in a minimalistic yet oh-so flattering outfits collection.

To cut a long story short,this debut won me all over.There was of course of lack of extravaganza,but the House was never familiar to that idea of haute fashion. Ryan Lobo and Ramon Martin not only got valuable inspiration from the House’s archives,they also find a way to ”translate” them to suit a modern woman,with self confidence,carefully hiding a second,much alluring persona .Raf,Hedi,Alexander,do take notes pls.

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Charm: “The Magazine for Women Who Work” publication history by Robert Newman

Charm, November 1951

Charm, November 1951

Nothing beats the excitement where i find a good post,a post that its writer has done a thorough search in the fashion archives plus he’s also loving what he’s doing.Robert Newman in his namesake site presents the charm of the ”Charm magazine that started in the 1940s, but it came into its own in 1950, when it relaunched as “The Magazine for Women Who Work”.

Charm magazine started in the 1940s, but it came into its own in 1950, when it relaunched as “The Magazine for Women Who Work,” and hired Cipe Pineles as art director. Pineles is a legendary designer who earlier art directed Seventeen and Glamour. Charm was the first magazine for working women, and the covers featured a sharp, stylish take on the working woman’s lifestyle. Charm is woefully under archived, although Conde Nast has some nice examples in its print collection, featuring covers from 1944-59.

Pineles moved on to other magazines and projects in the late 1950s. Here are 14 Charm covers from 1950-55 that feature her brilliant art direction.

(Ilia Sybil Sdralli comment: Cipe Pineles literally create awe withher talent in art direction.She became the first female member of the Art Directors Club. She was later inducted into the Art Directors Club Hall of Fame in 1975.Pineles received the AIGA Medal in 1996.)

 

 

Charm, April 1953

Charm, April 1953

Charm, August 1955.

Charm, August 1955.

Charm, December 1954

Charm, December 1954

Charm, February 1951

Charm, February 1951

Charm, February 1953

Charm, February 1953

Charm, January 1954

Charm, January 1954

Charm, July 1951

Charm, July 1951

Charm, June 1951

Charm, June 1951

Charm, May 1954

Charm, May 1954

Charm, May 1955.

Charm, May 1955.

Charm, November 1953.

Charm, November 1953.

Find more info at http://www.robertnewman.com/
With our special regards.

Paule Ka F/W 2014-2015 ad campaign-”First be a Woman”

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Not surprisingly,one of my favorite ad campaigns for the  Fall/Winter 2014-2015 season.”First be a woman”,aided by sartorial elegance and personal style. Raquel Zimmermann is the epitome of class in this great spread, lensed by Andreas Larsson.

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The Dolce &Gabbana Fall/Winter 2014/2015 Capri collection-A Mediterranean Fairy tale.

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”There is no end. There is no beginning. There is only the passion of life.”

~Federico Fellini~

“It’s about the beauty of Italy – we don’t really have Alta Moda here – we wanted to do something for our country.”

~Stefano Gabbana~

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The Dolce &Gabbana Fall/Winter 2014/2015 collection was something of a performance,with male models acting as ushers and female ones being helped getting on location,(a private place in the Island Of Capri). The fashion crowd was seated alongside a traditional Mediterranean style house-hotel and the models reached the land via water,walking past the seated A-lister’s. Interesting,no doubt. As for the outfits,well,i find it difficult to say anything seriously negative about the work of the famous design duo.Of course,design/style obsessions are to be expected and ever present,but what else fashion is than the transformation of those very obsessions into art via a creative process?Oh,did i mention how much i like fans?I’m getting another of my  own sometime soon,preferably customized!Just like being in a Visconti or early Fellini film!
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Fred Sathal Haute Couture FW 14/15- ‘COULEUR LUMIERE’- Couture Beyond The Stars

« The thread, does not unwind but stars itself. It connects the cardinal points, the constellations, the stories. The yarn is a logbook. It braids and ties. It is the stitch that travels and it is this tiny unity that will cover and expand. »

~FRED SATHAL~

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Photos : Olivier Claisse

Fred Sathal is a real artist that incorporates various inspirations in the creative process of a unique collection This time the thems was: ‘COULEUR LUMIERE’ or, to say,a playful combination of color and the light that enhances it.The result?The ‘Fred Sathal Haute Couture Fall Winter 14 15′ , one of the most intriguing collections i came across this season Designed with pure inspiration and brought to life with serious handcrafted work,each piece seamed to claim the stage for its own,so shiny and enchanting the designs and fabrics used were.An excellent work,indeed!Plus i will definitely try and stay tuned.After all,the ‘moonlight lit’ exceptional dress could add some serious..  unique style points to my overall wardrobe!

COULEUR LUMIERE

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Fred Sathal Haute Couture Automne Hiver 14 15
Fred Sathal Haute Couture Fall Winter 14 15
~COULEUR LUMIERE~

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The truth lies the details.The beauty also.Enjoy some exclusive detail close ups.

Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014 Fred Sathal Haute Couture Fall Winter 2014_15 Paris July 2014

(with special thanks to William Amor for all the information,and of course to Fred Sathal)

~Show Room Fred Sathal~
13 rue de Passy 75016 Paris
+33(0)1 77 17 30 57 – +33(0)6 78 21 84 88

Contact presse / Press contact
William Amor communication E.
w.amor@williamamor.com
T. +33 (0)6 64 98 51 11

Objet du desir-The new Lanvin ”Paper” bag

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The brand new Lanvin ”Paper” bag is perhaps the new ”it” accessory for the spring that’s coming.Made totally of soft cracked lambskin along with chain handles and removable clutch (to carry like a clutch- meaning two bags in the price of one!).A casual style yet arty look as the House of Lanvin characterizes the ”Paper” bag series.I would go for the blue one though, since the black one makes me think of black garbage bags-apologies monsieur Elbaz!
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Before the Kim&Kanye cover armageddon: When a Vogue cover was a work of art-straight from the archives.

Vogue Paris October 1950

Vogue Paris October 1950

“Vogue always did stand for people’s lives. I mean, a new dress doesn’t get you anywhere; it’s the life you’re living in the dress, and the sort of life you had lived before, and what you will do in it later.”
~ Diana Vreeland~

 

1938 Spring Fabric - Vogue - Copy

February 1961 Vogue

Horst P. Horst. August 1940

Marilyn in International Vogue - Copy

PARIS MAY 1951 MARCEL DUCHAMP

Salvador Dali illustration for Vogue

Vogue 1965

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Vogue UK cover, August 1954

Vogue US, June 1965

Chanel – Pre – Autumn/Winter 2014-15-Chanel Does Dallas!

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I had to watch the video of this collection again and again.Defeated,i admitted that Karl Lagefeld once more did his magic and,without losing the core dna of the Chanel house-if ever that was possible!-transformed basic american pieces into iconic pieces. It was all cowgirl chic in a parisian view,meaning losing the quirky,too-american sense.The idea for the impressive Chanel new Métiers d’Art show was actually based in the story of Chanel’s connection with Stanley Marcus who highly appreciated her 1954 collection,even when Paris aimed for Dior.Transforming once more the traditional Chanel jacket to a longer,more ”outerwear” version, wearing tights with cowboy boots printed on them(how clever!),using fringes in a decostructive manner and mostly maintaining a palette of earthly colors,the collection was again a winner.From the ethereal whites to it’s leather blacks and bold statement neck brooches,it paid tribute both to native Americans and to the perception of a West ‘‘Inspired by a romantic, poetic version of Texas (“I tried to remove its relationship from tough Hollywood films; you know with John Wayne”)” stated Lagerferd to add in subtle irony: ”Chanel clothes are bought all over the world,They can have a local ethic inspiration, but, at the same time, they have to have a universal touch – otherwise it becomes limited. You can wear these clothes and look normal. This isn’t just for costume parties.” As if we would.

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Boutique Colette brings us an exquisite collection of festive dresses-plus Anthony Vaccarello exclusive!

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Christopher Kane

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Boutique Colette has the ultimate solution for the perfect party dress in her exclusive designers’ collection of fabulous festive dresses for every taste. We are talking about a  selection of stand-out dresses that include: poetic volume at Mary Katrantzou, glamorous from Stella McCartney and Alaïa, trompe-l’oeil print at Thom Browne, covered in sequins at Ashish, lace and feathers at Carven, Erdem and Christopher Kane, red from Anthony Vaccarello (exclusive). Now,which one is more..you?

Christopher Kane

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Christopher Kane

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Erdem

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Mary Katrantzou

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Anthony Vaccarello (exclusive)

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Alaia

Vogue Russia December 2013 cant resist a ”Cabaret”!

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Vogue Russia December 2013 features a daring shoot by photographer Vincent Peters, styled by fashion editor Olga Dunina and basic model Maryna Linchuk. A sensational series that remind of Herb Ritts’ representation of naked bodies and ballet backstage aesthetics, one is certain,this is not a shoot that can go unnoticed.

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